Maïa Beyrouti

Material research
Ceramic glaze craft

Historical & cultural contexts of urban material ecologies

2026

Learning How to Count

Two-channel projection, reading and artist talk. Part of Soil Temporalities, Haus der Statistik

Stoneware and Olive tree ash

Text published in Gazeta do Mar issue 3

On Sand

Guest lecturer and materials class, Science of the Underground, Columbia University

Landing/Bodies

Reading and conversation with Kathryn Yusoff, Kindl Berlin
RECENT PROJECTS

Clay, bricks and rubble as sites of memory culture

Research project at various sites. Two channel projection, text, sculptural work. Berlin. 2025/26

Sand Portables

Sharjah Biennial 2025, collaboration with Rossella Biscotti. Material research and sculptural works. 

Land, material, identity

Material research project. Culture Moves Europe grant. Lisbon, 2024
READINGS / ARTIST TALKS

Reading and artist talk. Savvy Contemporary, part of Clay as Witness, invited by Amara Abdl Figeroa, 2025

Land, Material, Identity
Artist talk at Lo Invisible Studio, Lisbon, 2024

SCULTPURAL MATERIAL RESEARCH

Response to field research with materials collected, developed using glaze and ceramic techniques. Including bricks, rubble, oil palm ash, olive tree ash, wild urban clay, rust, paving stones, and ceramic materials developed in the studio

Maïa Beyrouti is a Franco-Palestinian ceramic artist and researcher living and working in Berlin. Her artistic practice focuses on material contexts, namely through ceramic materials research and glaze work, which includes sculptural, photographic, and text-based works. As part of her practice, Maïa gives talks and glaze classes that address material narratives and how their inherent symbolic, cultural, historical, personal, and geological storylines work in constellation.

Testimonies of absence. Politics of distance. Working through the lens of collapse and accumulation. A desire to deconstruct, allow, mimic, and provoke constraints and serendipity with the compulsion to break apart and re-assemble, engaging with the movements of material.

An ongoing affinity for sand, its properties and ecologies. Interested in personal and collective material-based narratives found in mythology, geography, repetition, language, map-making practices, politics and the built environment.